STATEMENT

Fisher’s work deconstructs our industrialized world. Her paintings are playgrounds of factory, mass production, and machine. Worlds void of people, where skyscrapers plummet through highways, sewage runs through midwest fields, and then end of the world begins in spring.

Finding inspiration in the cross between urban and suburban – sprawling land, dead end roads, and afternoon thunderstorms butt against urban development, false light, and grid patterned street blocks. Underlying all is a perpetual, and ongoing loneliness.

Fisher implores the viewer to acknowledge the power of land against technology, and the notion that design of a fully automated system has no need for its creator.